
L. A. Reed

L. A. Reed, Thou Shalt
Not Molest Thy Daughter |
I was born in Philadelphia, Pennsylvania, where I was abused
by several men early in my life. These included my father.
There is something I’d like to say about this which
involves the knowledge, at this point in my life, that the
persons who committed this act, and my father included, were
good people. Confused, but good.
There is, however, reticence within the Jewish community
to discuss family violence openly, due to our fear of attacks.
So until I find the safety, and because my father just died,
I will limit the content of this narrative. Also, my intention
here is not to generate hatred, but unless we start talking
about these issues out loud, neither the victims/survivors
nor the perpetrators nor their families will be able to heal,
and prevent violence.
I’ve created this painting with the idea that there
needs to be a second part to the Ten Commandments. Not only
do adults and parents need to be honored, but as equally,
so do children.
The painting itself is predominated by blues, a traditional
color within Judaism and Jewish culture, and to me reminiscent
of bluestone.
The round tops of the commandments are my breasts and covered
with gemstones. Similar to the breastplates on the priests
of ancient Israel. I am here the priest.
The Alef-Bet (Alef – first letter on left; Bet –
second letter on right) are the first letters of the Hebrew
alphabet. With their mystical, historical meanings.
The combination of the two sometimes represents the Jewish
people. Often the Alef is deemed to be “more active,”
and thus male, the Bet female, because the Alef means “chief”
or “ox,” and Bet means “home” or “temple.”
Categorizing our letters this way is sexist. Therefore, in
my work with the Hebrew alphabet, I have turned the letters
around. Hebrew is usually written right to left, with the
Alef being first. I have switched them, making Bet first and
Alef second.
And over the Bet I have put the shadow of an eagle, a sacred
bird in our tradition, as a protection for me and for home.
I’ve placed these letters on my breasts, recalling
them as the Ten Commandments, as sacred and powerful, and
stating that my body is Torah. A source of knowledge and wisdom,
from which I learn and teach.
I am an artist as a result of my physical and emotional healing
process. So, the art I have created is not about pain, but
the healing of it and about caring and about being powerful.
And in the tradition of our culture I have created this art
piece as a Midrash. That is when someone takes an old, original
story or law from our tradition and talks about it. Stretches
it, adds to it, tells stories about it. New stories, so that
we are building new tradition as we go along. May that happen
through this art.
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